Tahnee Cain is actually Tane McClure, a singer/actress whose work you have no doubt seen. This blog is intended to shine light on music that has been unjustly lost through the years. If you can find the stuff here, buy it. Songs are only available for a limited time. Terminator Genisys Soundtrack (by Lorne Balfe) Fright Night Soundtrack (Complete by Brad Fiedel & VA) Terminator 2: Judgment Day Soundtrack (Remastered by Brad Fiedel) The Terminator Soundtrack (Expanded by Brad Fiedel) The Terminator: The Definitive Edition Soundtrack (by Brad Fiedel) Music From The Films Of James Cameron.
Pisces Iscariot was first released in 1994. Primarily a B-sides and outtakes collection, it lacks the cohesion and tightness that other Pumpkins albums of the era have, but it’s still a quality collection of excellent tunes nonetheless. No problemI haven’t received my copy yet from amazon.com yet so I can’t confirm any of the issues myself, but here is a summary from the folks at the official SP forum:the song “Bye June” is now called “By June”the song “Plume” is now an alternate mix featuring a different vocal and slightly longer intro.the song “Purr Snickety” doesn’t start properly. The first 5 seconds are tacked onto the end of “French Movie Theme”the song “Soothe” appears to be a new mix, although it is not stated as such (the original sounded like it was mixed on a 4 track Portastudio. The new one sounds digital and refined (for better or worse)the song “Jackie Blue” contains a digital glitch at approx.
1:30-1:40the song “Why Am I So Tired?” features a glitch after the end of the song (in the total silence before the end of the cd)the song “Pissant” contains a glitch at approx. 0:03the song “Blue” contains a glitch at 3:08PLUS – the original promotions stated it would be sold in HIREZ (24/96) for download. These files are now being sold as 16/44.1 (and for a while 24/44.1) and apparently the excuse given is its due to the limitations of the material, which is BS – because the first two sets were done in HIREZ with no issues.
Everything SP has done has transferred to HIREZ.Also the 2 discs feature INCREDIBLY different mastering.CD 1 – is mastered by Bob Ludwig and contains (for the most part) the same dynamics as the original cd, just tighter.CD 2 – is mastered by Howie Weinberg and it is LOUD, COMPRESSED and CLIPPED all too heck.and the final one, so far, is the digital versions of the tape that you could download, all had their track indexes screwed up. A few songs have the beginning of the next song at the tail end and then when the proper song starts on the next track it repeats the intro. My solution to so-called remasters(digital or otherwise) of my favorite artists is simply to NOT BUY the crap! Hit the record labels(and the artists if nec) in their pocketbooks.I have digital audio editing software as illustrated above, and I can put up a HUNDRED more screenshots of the same smashed(pardon the pun!) waveforms of my favorite legacy artists(from 1995 and earlier) music.It is all done in the name of MONEY.True remastering actually improves the sound – not degrades it! Removing tape hiss, adding bass to the bottom end of older LP-based masters that could not handle the bass or the needle would skip, correcting wow or other incorrect speed issues, and saving the restored sound to higher-res 24bit – THOSE are examples of good remastering.Otherwise, the original tone and dynamics of the recordings – the elements that defined it’s emotion, should be LEFT ALONE. It’s not really fair to call out the remaster of the actual album.
Bob did a really fine job on all the remasters of the actual albums. Howie Weinberg drove everything into the ground after that for whatever reason even the mono mix on Adore and whatever else he touched on any other release.
I think he did Pisces as well? I know he didn’t do Mellon Collie extras as those were all DR8 or around there.You seem to rate the originals better, but without even hearing the releases or doing any testing at all. You even say you can’t hear much difference, yet you arbitrarily just rate the old release better for whatever reason.This is not how you compare and review mastering on an album. You are simply looking at waveforms, which you don’t really understand to begin with, and then making assumptions.For instance, the original Pisces probably doesn’t use its peaks to the fullest extent.
It’s not much louder, but it does use the full CD, and as you can see it pretty much has the same kind of dynamics just a tad louder. Siamese Dream was a DR9 remaster, and quite honestly it sounds better than the original with more detail in a lot of places. The Mellon Collie remaster is also better, and remains as dynamic as the original. Siamese Dream is a tad less dynamic overall, but again peaks were not all used to the fullest extent in the original, and there are parts where the original just does not have enough low end either.Pisces is the only remaster I don’t have, but Bob pretty much did a stellar job on all of these IMO. Nevermind is what it is. I don’t really know why they chose to push it so much, but apparently they didn’t like the sound of the original much. This blog is intended to shine light on music that has been unjustly lost through the years.
If you can find the stuff here, buy it. Songs are only available for a limited time.If you own the copyright to anything here, email me at lostturntable AT yahoo DOT com and I will have them removed.RANTFor the love of God don't leave random requests in my comment section. If I have it, I'll post it here eventually, nothing you say is going to make me buy a record you're too damn lazy to find yourself.Finally, DO NOT LINK DIRECTLY TO ANY OF MY FILES. Old Posts Old Posts.
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Unreleased Music Tracks
On May 21st Terminator Salvation comes out and I am stoked to a level that is kind of fucking terrifying, especially considering that I never even saw T3 all the way through. Maybe it’s because of, which features the best usage of NIN in the history of all things ever.Strangely enough, the soundtracks to both T1 and T2 are out of print and go for huge buckage on Amazon and eBay. That’s insane. I know the rights to the Terminator films are kind of complicated, and I’m sure the soundtrack rights are even more so, but you think whomever owns the rights would figure out that there might be some major cash-in bucks to made with the original soundtracks. Paying $125 for one on Amazon is a little nuts.Now, I don’t have the definite edition, which features the complete score, but I do have the original version, which features the pop songs (which are NOT on the definite edition) so it’s a trade-off I guess.So, without further adoBrad Fiedel – The Terminator ScoreThe Terminator score is a work of synthesized art, barren and brilliant, perfectly matching the stark and brutal tone of the film. Brad Fiedel was the composer and performer of the piece (save for some electronic violin) and its probably his best-known work. Aside from the first two Terminator films he also did the music for both Fright Night films, Wes Craven’s Serpent and the Rainbow, and the Jodie Foster drama The Accused (one of the best movies you should never see).
In the nineties he hooked up with Cameron again for True Lies and quickly after that did the score for the abomination known as Johnny Mnemonic (one of the worst moves you should see). He was passed for fucking Danny Elfman for the new Salvation, which is a damned shame. This is one of the best synthesized scores ever, ranking right up there with the original Halloween and Wendy Carlos’ A Clockwork Orange. It’s not the best Arnold movie score however, which isn’t a knock on it as much as it is unapologetic praise for the score to Conan the Barbarian, which is probably one of the top five scores of all time.Tahnee Cain And The TryanglzTahnee Cain is actually Tane McClure, a singer/actress whose work you have no doubt seen, especially if you like 80s/90s b-movies like Bikini Academy and Illicit Dreams 2. Her biggest roles were probably in Go and the Legally Blonde films as Elle’s mom. She’s 49 years old, damn hot and has a bitchin’ rack, no doubt thanks to Dr. 90210 (according to the IMDB she was on an episode of the show called “Thanks for the Mammaries”).
Tane seems to be a relentless self-promoter, and has. She seems fairly tech-savvy, which means she’ll probably find this blog eventually, so if you’re reading this Tane and you’re pissed I put your songs up just email me and I’ll take them down! Don’t go Steve Winwood on me and DMCA my ass please!Anyways, her songs, oh yeah. I don’t remember “You Can’t do That” from the film that well, but “Burnin’ in the Third Degree” is the song that’s playing when all hell breaks loose in Technoir and it’s a solid example of 80s synthpop/rock that holds up pretty damn well. Tane has some pipes on her.
“Photoplay,” which is also in the Technoir scene I believe, is pretty good as well.Jay Ferguson and 16mmJay Ferguson was in Spirit, a 60s/70s psychedelic band, but you’d never know it from this synthpop song, which sounds like something Michael Sembello would have record for a never-realized sequel to Flashdance. I don’t remember at which point this track pops up in the soundtrack either.Linn Van HekThis is the song that Sarah Conner’s roomie is rocking out to before Arnold kills her. It’s by far the most experimental of the pop songs on the soundtrack, very post-punk/electronic sounding.
I can find next to nothing on Linn Van Hek though, other than the fact that this song actually got a 12” single release in Australia. Odd.Posted in,. This blog is intended to shine light on music that has been unjustly lost through the years. If you can find the stuff here, buy it. Songs are only available for a limited time.If you own the copyright to anything here, email me at lostturntable AT yahoo DOT com and I will have them removed.RANTFor the love of God don't leave random requests in my comment section.
If I have it, I'll post it here eventually, nothing you say is going to make me buy a record you're too damn lazy to find yourself.Finally, DO NOT LINK DIRECTLY TO ANY OF MY FILES. Old Posts Old Posts.
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